Armida Quartet is at the top of its game. The Strad, May 2022.
Winning the ARD International Competition in 2012 (also sweeping all other prizes including the
audience prize) propelled the Armida Quartet on to the international concert platform. After concerts
and radio recordings as BBC New Generation Artists (2014-16) and subsequently as ECHO Rising
Stars (2016/17), the musicians have established themselves as regular guests in the best-known
chamber music halls in Europe, Asia, and the USA.
In addition to regular appearances at European
festivals such as the Festspiele Mecklenburg-Vorpommern and the Rheingau Musik Festival, the
quartet has enjoyed great success at the Concertgebouw Amsterdam, the Berlin Philharmonie, and
London‘s Wigmore Hall, among others. Highlights of the 2022/23 season include appearances at
Beethovenfest Bonn, Schubertiade Hohenems, Heidelberg String Quartet Festival and in Hamburg’s
Elbphilharmonie.
Acclaimed for their musical unity, which is evident in their fine-tuned sound and timing as well as
their shared breaths, the musicians also emphasise their commitment to quartet playing with their
choice of ensemble name: Armida refers to an opera by the composer Joseph Haydn, who is consi-
dered the “father of the string quartet“. They studied with former members of the Artemis Quartet
and with Rainer Schmidt (Hagen Quartet); they owe further important impulses to Reinhard Goebel,
Alfred Brendel, Marek Janowski, and Tabea Zimmermann.
The Armida Quartet places a special focus on the works of Wolfgang Amadeus Mozart. The third
album of the complete recordings of his string quartets for CAvi-music was described as ground-
breaking for Mozart interpretation in the 21st century (Klassik Heute). Fono Forum recently praised
the fine nuances in sound, dynamics and articulation, saying the recording (Vol. IV) set new stan-
dards (March 2022).
The ensemble pursues its passion for Mozart, among other things, in its own
concert series “Mozart Exploded“, in which each of the composer‘s string quartets are combined
with masterpieces of contemporary music and occasionally presented in experimental concert for-
mats in Berlin. The series has already been enthusiastically received in New York as well.
In addition,
the young musicians have cooperated with G. Henle Verlag, for whom they act as musical advisors
for the new Urtext edition of the Mozart quartets, including their own fingerings and bowings made
available for the associated Henle Library App. In doing so, the quartet is not only at the forefront of
the latest technological developments, but also advocates for closer collaboration between perfor-
ming artists and musicologists.